There arenвЂ™t too many major DAWs that are single-platform, and most will run on Windows. The need to slim things down to make them touch-compatible has also had the benefit of making controls generally easier to work with. In truth, this has been a long time coming: one of the issues with FL Studio as it gained more and more functionality was its over-reliance on tiny icons and endless clicks. This also extends to individual window sections, such as inspectors or editors, where the various contextual menus have been cleaned up, flattened and simplified.

The whole application looks and feels cleaner, slicker and more user-friendly. Every part of the interface can be undocked and arranged, or docked with resizable borders. Splitting off the mixer to a second вЂ“ perhaps multitouch вЂ“ screen is now easier, thanks to the new dockable window system. While itвЂ™s true that many music PCs donвЂ™t have multitouch screens as standard, adding a second monitor with this capability can be relatively cheap, and it may become a more common feature in future. In practice, multitouch here works really well, especially on a larger screen. The difference between touch and multitouch is important, too: using one fader at once is OK but using several, especially when automating, is far better. The new scalable mixer is highly flexible and can be resized easily to cope with fingers, which are generally too large for faders designed to be moved only with the mouse. You can pop FL Studio 12 into regular or touch modes, depending on how youвЂ™re using it, and itвЂ™s particularly useful when you come to mixing. Related to the vectorisation of the interface is the second major change, the implementation of multitouch support across the application. The preferences now let you control interface scaling, and while even 4K monitors might still be relatively rare, this is definitely a foundation thatвЂ™s been laid for a future in which they will be more common. Image Line says that 4, 5 or even 8K monitors can be used with pin-sharp fidelity. The interface can now be scaled up massively without looking blocky or blurry. This means that graphics are simpler, flatter and cleaner, which looks better in and of itself but also has a greater purpose. The interface has been reworked and rewritten to be made vector-based. The first major change is evident at a glance. ThereвЂ™s much more to it than that, of course, but those are the fundamentals. As well as ReWire support, the whole application can, remarkably, be hosted as a VST plug-in inside a different DAW. Despite some significant GUI developments, the workflow remains familiar to existing users, with instruments triggered by step sequencers or generators and audio and MIDI sequenced in the Playlist.

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